A couple of months ago I was introduced to the new Chair of the Camberwell Society, who teaches Modern Languages at a local posh school. It transpired that he had studied Spanish at Exeter University; we talked about the former professor, Maurice Hemingway, who had examined my MLitt thesis many years ago. A few days later I found myself reading an email in which I was described as “Colin Wight, who has done much work on Pardo Bazán”. Had I really?

The highly expensive, three-volume, complete works of EPB

Last week I found my thesis on Emilia Pardo Bazán. It wasn’t actually lost; I knew it was knocking around the house somewhere. For the first time in three decades I read the whole thing, expecting it to be deadly boring. In fact it was about as lively as the subject-matter could allow. As for the scholarship, it sounded convincing but I can’t say for sure.

Page 158 of my thesis

It was another life in another world

I had been living and working in Essex, and not really enjoying it. I had no burning desire to do postgraduate research, but for personal reasons I wanted to return to Oxford. My former tutor, John Rutherford, suggested a research subject and I said OK, as long as I can get a grant. In October 1978 I left my job in Upminster and moved back to Oxford.

***

So it was back to Queen’s.

The High c.1980, with The Queen’s College on the right

I felt a bit of a charlatan since I was surrounded by extremely intelligent people who were (or appeared to be) more motivated and productive than I was. The years rolled on and the finishing line was still not in sight. The more I found out the harder it got. It may well be different for science post-grads but I saw a lot of humanities students pack it in. They had lost interest in their subject and faith in academia, with its cliques and bitchiness; their grants ran out and they needed a job; they became neurotic, depressed or plain bored. It wasn’t just me who’d lost his way… but I was never totally committed in the first place. But I refuse to give up on something once I’ve started on it so I carried on, like an actor in a play he already knows is a turkey. I was now 28 years old.

By hook or by crook I had to finish the damned thing and get away

The author with Elizabeth Mullett in Madrid’s Plaza Mayor

By early 1983 I was, at long last, working flat out. At night I wrote; at noon I delivered a sheaf to my typist, Stephanie, and she handed a sheaf back to me; in the afternoon I corrected it; at night I wrote some more. I hardly had time to eat and I was running hither and thither like a lunatic. By the time I’d handed in my thesis and managed to get a couple of job interviews I was pushing 30 and pretty well skint. Then came my viva: a gruesome meeting of minds with my two distinguished examiners, conducted in academic dress: one of them had never examined a thesis while the other had never passed one. The inquisitors decided to “refer” mine over a few minor infractions. My supervisor was furious and made a complaint. But I had to rewrite two paragraphs (I can’t remember what they were about) and have it retyped, photocopied and rebound, and then resubmitted. I could ill afford the expense, and it took me a year to get round to it. I felt quite sorry for myself. But whatever.

The aforementioned thesis

Post-graduate study may be the hardest thing I have ever done, although that is not saying a lot. It’s not the thousands of hours of research and the laborious writing process; it’s the fact that you have to do it on your own. The people who are doing what you’re doing aren’t part of your team. If anything, they are in competition with you. Some people might love it, but I wasn’t one of them.

Was it worth it? Financially… no, not at all. It did little to help my subsequent career, but I suppose it all worked out OK in the end. And, to be honest, it wasn’t all bad at the time either. I spent a lot of time in Spain and I was able to indulge my passions for film, books, music and girls. But the worry about how and when I was finally going to earn a living cast a shadow over everything.

When I finally moved to London to begin work on the bottom rung of the publishing ladder (starting salary: £6,000 per annum), it was with an enormous sense of relief. My colleagues were sociable, normal human beings; I was learning new things, and I even got paid at the end of every month. I never stopped being grateful for it.

So there it sits, back on its shelf: unloved and unread… but perhaps of some use to someone, somewhere!

Page 167 of the thing

6 thoughts on “The Lost Thesis

  1. By the way, I do not know if it is worthwhile saying, or if someone cares around here… (but I am afraid I will anyhow because I think it is interesting) that Mrs. Emilia Pardo Bazán has been in the literary magazines and in the cultural pages of the press recently in Spain, because of the publication of a brand new biography by Isabel Burdiel (Taurus, february 2019). Most surprising it seems it is selling quite well.

    Like

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